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The Book of Alternative Photographic Processes
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Note:Book appears to be a minimal overage and is a style based choice. Written by internationally acclaimed artist and photographer Christopher James, THE BOOK OF ALTERNATIVE PHOTOGRAPHIC PROCESSES: 3rd Edition is the definitive text for students and professionals studying alternative photographic processes and the art of hand-made photographic image making. This innovative Third Edition brings the medium up to date with new and historic processes that are integrated with the latest contemporary innovations, adaptations, techniques, and art work. This 800 page edition is packed with more than 700 exquisite illustrations featuring historical examples as well as the art that is currently being made by professional alternative process, artists, teachers, and students of the genre. The third edition is the complete and comprehensive technical and aesthetic resource exploring and delving into every aspect of alternative photographic process photography. Each chapter introduces the history of a technique, presents an overview of the alternative photographic process that will be featured, reviews its chemistry, and provides practical and easy to follow guidance in how to make it work. In his conversational writing style, James also explores the idiosyncrasies, history, and cultural connections that are such a significant part of the history of photography. Featuring traditional and digital contact negative production as well as an array of processes, spread out over 28 chapters, THE BOOK OF ALTERNATIVE PHOTOGRAPHIC PROCESSES: 3RD EDITION delivers clear instructions, practical workflows and advice, humor, history, art, and immeasurable inspiration.
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Product details
Paperback: 736 pages
Publisher: Cengage Learning; 3 edition (March 5, 2015)
Language: English
ISBN-10: 9781285089317
ISBN-13: 978-1285089317
ASIN: 1285089316
Product Dimensions:
8.5 x 1.6 x 10.9 inches
Shipping Weight: 5.4 pounds (View shipping rates and policies)
Average Customer Review:
4.8 out of 5 stars
115 customer reviews
Amazon Best Sellers Rank:
#375,504 in Books (See Top 100 in Books)
First, this is the last time you will be likely to see this book as a single volume. It's already like carrying around an unabridged dictionary. Unwieldy, yet irresistible, the next edition will be forced into two volumes (maybe three!).I waited months to get my hands on this. It was worth the wait. Extremely well-written and entertaining too, there is no doubt this is now the gold standard for what is currently called "alternative photography", but will no doubt be called something else in the near future. After all, silver based photography is in fact already an "alternative" to digital. And digital photography is now providing some of the tools needed to practice alternative techniques in greater depth.The great yellow father caused the brakes to be put on most of these "alternative" processes many years ago, and halted progress by amateurs via their repugnant secret keeping. I'm hoping that this book, and others like it, in addition to renewed interest in silver and a desire not to allow just one approach to take over again, will lead to renewed research and experimentation by photographers of all levels. If new and better processes don't result from the publication of this book, I will be very surprised.
Simply put - this is an incredible, deeply informative and READABLE book. While much of the literature on alternative processes focus primarily on methods and materials, I was interested most in the history of photography when I purchased this book. In this regard, "Alternative Photographic Processes" does not disappoint, because of the clarity with which Mr. James discusses his subjects, but perhaps more importantly - and surprisingly - it has me psyched to experiment with analog photography and hopefully take classes with the author.You will see work and learn about processes that you never could have imagined existed: anthotype and cholorphyll processes (and how some enterprising artists preserve their work in "solid blocks of resin!!), Athenatype, Ziatype - EVERYTHING! And then - you will want to see how those processes could fit into your workflow and developing artistic vision!Just get this book if you have any interest in photography at all.
I got this to learn how to do Wetplate Collodion (tintype)...HOLY COW...this covers pretty much every photographic process. So far it seems well written and very accessible (not boring). One of the little easter eggs was the Creme Brulée recipe as a response on what to do with all the egg yolks left over from Albumin printing. Good mix of history, theory, and practical advice. I especially love how almost each section has contemporary art examples (like the cover) for each of the processes. I haven't put the formulas to the test yet, but each section is so completely thorough, i doubt there will be any issues. I purchased this thinking that it would be the first of many, but i honestly think this is THE definitive bible for alternative processes. Kinda pricey, but will will save a helluva lot of money and time in the long run.
Wow. I thought the first edition held more information than I could ever take in. Then the second, expanded edition came out, and I was once again blown away. The third edition is so massive and packed with processes (old and new) and additional information that I hardly know where to begin. Making pinhole cameras….calotypes….anthotypes…salt prints….albumen….gum bichromate (HUGE variety)….wet plate (a chapter that could be a book on its own)….Bayard's direct positive process….carbon prints….hand-applied emulsions….various paper and other substrate preparations….and this is just scratching the surface!Christopher has a fun and entertaining way about him that translates well to the written word. He has been a teacher and mentor to many successful artists through the years, and his style is casual and easy while being very thorough. In his books, you get a little history that leads you into a chapter with everything from basic table set-ups, to different chemicals to use and how they affect the process, to different papers and other substrates, to loads of other types of information that is simply too extensive to list here. There are also many, MANY beautiful images used as examples throughout the book that intrigue and delight.This is one not to be missed!
This is arguably the best resource for alternative photographic processes. There are several different chemical ratios for each process and specific guidelines to follow that make it relatively easy to learn the basics of a new process. It is also beautifully illustrated with photographs of many of these processes so that you also have a visual reference. I love this book...I say it's my photography bible.
I officially recycled all my other alt-pro books when I found this one. Why recycle? Because I didn't want to risk circulating bad information out there. Before finding Christopher's book, I had been working in alternative process photography, some techniques learned in college, some in workshops, some self taught for 15 years.From set-up to process to finish, this book gives me all the instruction and troubleshooting clues I need to complete a successful print. He takes the mystery out of the process while sharing his sense of humor (necessary in this line of work).I especially like the historical attributes he offers and that I can get all of this in one book! Yes, it's hefty, I don't carry it around with me. But it is prominently displayed in my studio where I work.When I replaced my first edition with the second, I wrote on the inside front cover: "This is the first edition, good information but there is a newer edition out there so FIND IT!" then took it to the thrift store in hope that someone interested in alternative processes will find it and get hooked.
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